In an era of studios either running scared from risk and/or acting like franchise whores, what a thrill to see a real director-driven movie in Adam McKay’s Vice.

2018 was a year of insane disconnect between The Academy of Motion Picture Arts & Sciences and the audiences who would view the motion pictures.

There’s a lot of hate being lashed out at writer/director M. Night Shyamalan’s truncated, and unexpected end of a trilogy, Glass.