Uncover the transformative influence of Susie Singer Carter’s award-winning films and advocacy for societal change.
Susie Singer Carter is a passionate and award-winning filmmaker, visionary, and creator whose work spans across various genres and audiences. Born and raised in Los Angeles, California, she pursued journalism at UCLA before finding her true calling in the entertainment industry. Initially drawn to acting, she soon realized that she had a talent for writing and directing, leading her to establish herself as a powerhouse behind the camera.
A Love for Storytelling
While acting provided her with an engaging and fulfilling experience, Susie felt a strong urge to write better scripts than what she was auditioning for. She quickly discovered her love for creating stories that not only entertained but also deeply resonated with audiences. The joy of seeing an idea grow from concept to completion and touching people’s hearts became the driving force behind her work.
Her diverse range of projects includes everything from children’s programming to content for the elderly. Susie has a deep appreciation for these audiences because of their honesty and authenticity, making storytelling even more impactful.
From CBS to Hollywood Blockbusters
Susie Singer Carter’s career skyrocketed when she became the head writer for CBS Saturday Morning’s “Cake” and “Dance Revolution.” Initially, she was pitching her projects to Brookwell McNamara Entertainment, a company responsible for numerous Disney productions. However, when CBS approached Brookwell McNamara about launching a “Girl Power Hour,” Susie campaigned to be a part of it. She not only secured a role as the head writer for “Cake” but was also later asked to oversee “Dance Revolution” due to CBS’s dissatisfaction with its original writing. She successfully juggled both productions, working tirelessly in a single studio to bring these projects to life.
Her talents didn’t stop there. She also played a key role in the production of the Lionsgate film “Bratz.” Initially brought on as an associate producer, Susie’s keen eye for storytelling became evident when she rewrote two audition scenes, transforming the film’s narrative. Her changes were so well received that she was offered the role of lead screenwriter for the entire movie.
Empowering Women Through “Go Girl Media”
As the owner and creator of “Go Girl Media,” Susie is committed to making the world better, one project at a time. Her mission is to empower women in the entertainment industry and beyond. She firmly believes that women can be as powerful as men and actively works to open doors for female creators.
“It’s crucial for us to become staples in this industry,” she says. “I tell women to work hard and support each other.”
Advocacy Through Film
Susie’s passion for storytelling extends beyond entertainment; she uses her platform to raise awareness about pressing social issues. Her documentary, No Country for Old People, is a powerful exposé on the neglect and mistreatment in nursing homes. The film sheds light on the systemic crisis within elder care facilities and is particularly personal to Susie, as she witnessed such neglect firsthand with her mother.
Another one of her standout works is the Oscar-qualified short film “My Mom and The Girl.” Starring the legendary Valerie Harper in her final performance, the film addresses the complexities of Alzheimer’s disease in a heartfelt and humorous way. Based on Susie’s real-life experiences, it brings much-needed awareness to the conversation around Alzheimer’s while offering hope and laughter.
The “Love Conquers Alz” Podcast
Beyond film, Susie co-hosts the award-winning podcast Love Conquers Alz alongside Don Priess. Recognized as the 2020 winner for Best Podcast at the New Media Film Festival, the show is a heartfelt resource for caregivers of loved ones with Alzheimer’s. Susie and Don use their platform to provide support, share experiences, and remind listeners that they are not alone on their journey. Their mission is to help others find joy amidst the challenges of caregiving.
Challenges and Triumphs
When reflecting on her career, Susie acknowledges that one of her most significant challenges has been maintaining an open heart in an industry that often takes advantage of kindness. However, she refuses to change who she is, recognizing that her empathy is both a strength and a vulnerability.
On the other hand, her greatest accomplishment has been finding her purpose. Through storytelling, she has been able to create meaningful change and leave a lasting impact on audiences worldwide.
A Legacy of Color and Love
When asked how she wants to be remembered, Susie’s response is as vibrant as her career: “That I was a rainbow. I had a lot of color, and I brought a lot of color to people’s lives. I left joy behind and a legacy of strength, determination, and love.”
Through her dedication to storytelling, advocacy, and empowerment, Susie Singer Carter continues to inspire and create a world where stories not only entertain but also transform lives.
Ducati’s Bold Venture into AMA Supercross with Troy Lee Designs by Their Side
By Florida Night Train
2/21/2025
Early February 2025, I was sitting at my desk and Bing! An email from my Ducati friends: “How are ya old friend? Do you want to go VIP to the AMA Supercross this month in Tampa? Ducati is getting in the game for the 2026 season and we are putting everything in gear!” “Whatt?????!!!! Of course!!” I said. Thinking about my eldest badass daughter, “Trinity,” who barrel races, fishes, wake surfs, and relentlessly asks for a motocross, I added, “Give me two tix, and I’m there!”
As it turns out, in a historic moment for both Ducati and American off-road racing, Ducati and Troy Lee Designs have announced a groundbreaking partnership, marking the Borgo Panigale company’s intention to enter Supercross off-road racing in the USA with the Ducati Desmo450 MX, a first for the company. This also marks the Desmo450 MX’s first public appearance in the United States, setting the stage for an iconic chapter in Ducati’s off-road racing history.
The first step in this partnership is the presence of the Troy Lee Designs team in Ducati Red at eight rounds of the 2025 AMA Supercross Championship, starting from Anaheim on January 11. The team will also have a special display at COTA MotoGP on Ducati Island, an exclusive fan experience that serves as a hub for Ducatista during the US-based MotoGP race. The American team will exhibit a protoype of Desmo450 MX in the Supercross paddock, with special graphics created by the well-known Californian designer.
After hearing this news, I followed that with a call to my daughter; “Hey, daddio! What’s up?” To which I responded, “Hey booboo! Wanna go to AMA Supercross VIP?” This offer was received with a “Heck yeah, dude!”Done deal. We sat there in the best seats in the company of Jason Chinnock, CEO of Ducati North America, and every Ducati dealer in Florida, including my good buddy Trever Varney of Ducati Tampa Bay, ranking #1 in the USA for “Service Score” and right up there in sales too, next to Miami’s dealership.
In the gripping saga of American off-road racing history, a new chapter is etched as two titans, Ducati and Troy Lee Designs, lock handlebars in a daring partnership. The grand unveiling of Ducati’s Desmo450 MX is not merely an introduction to a new racing machine; it’s an evocative symphony of engineering precision and visionary design, akin to a philosopher’s pursuit of an ideal.
Ducati, a name synonymous with revolutionary prowess, takes strides into uncharted terrain, heralding the entry of the Desmo450 MX into the American market. This audacious venture promises to redefine the racing landscape, evoking both the intellectual curiosity of great philosophers and the unabashed vigor of Moto GP Champions.
As the AMA Supercross circlet settles over the storied dirt of Anaheim January 11, 2025, all eyes pivoted to that iconic red—a hue of potential and prowess. Troy Lee Designs, with their unerring flair for style and innovation, joins Ducati’s cavalry, painting a narrative rich with cultural intersections and technological marvels. This is more than a partnership; it is a crusade toward historical significance in motocross, echoing the vital balance of order and chaos that drives humanity forward.
“Partnering with Ducati is a seismic event,” exclaims Troy Lee, whose legacy is built on melding safety with supreme performance. The excitement is not mere lip service—it’s a call to arms, preparing to immortalize their confluence in the annals of motocross.
The Desmo450 MX steps into the arena not just as any contender, but as the gladiator armed with the singular Desmodromic valve timing, traditionally a domain of MotoGP. It is this system that indulges in consistently higher RPMs, reducing gear changes during those crucial racing spurts and rallying riders to an echelon of mastery previously unattainable.
A parade of exhilarating stops punctuates this endeavor, spanning iconic circuits from Anaheim’s red clay to the Texan heartland’s MotoGP showdown at COTA. Each location is a testament to the indomitable spirit of racing, where Ducati North America will share insights into this avant-garde machine awaiting its US debut in July 2025.
In a climactic gathering, motocross virtuoso Tony Cairoli joins hands with Ducati’s Paolo Ciabatti, as they set forth to imprint their shared passion and ambition on the fans gathered around Ducati Island—an oasis for Ducatisti.
Anaheim to Salt Lake City, April to May—this isn’t merely a tour, it’s a comet blazing through the American motocross sky. With every race, every roar of the engine, and every heart pounding with anticipation, Ducati and Troy Lee Designs craft a shared vision not merely for racers but for thrill-seekers, dreamers, and relentless pursuers of passion.
This is not just the birth of a bike, but the dawn of a new era, where engineering brilliance and creative audacity merge to challenge norms and celebrate the pinnacle of human endeavor. Other leading factories, be advised. Get ready, America, for the Ducati Desmo450 MX and all it represents is not just coming—it’s already arrived in spirit and revolution.
Throughout American history, the contributions of Black soldiers in the Civil War have been largely overlooked in mainstream storytelling. While films like Glory (1989) shed some light on the bravery of the 54th Massachusetts Infantry Regiment, many stories of Black Union soldiers remain untold. Filmmaker Joy Shannon seeks to change that with her powerful short film, Rock Island Prison 1864, winner of the Best Drama Short in the Hollywood Reel Independent Film Festival.
Set during the final year of the Civil War, Rock Island Prison 1864 brings to life an extraordinary yet often forgotten reality: Black Union soldiers—many of whom were recently freed from slavery—were assigned to guard Confederate prisoners at the Rock Island Union prison in Illinois. The film explores the psychological and emotional turmoil these young men faced as they navigated newfound freedom while being placed in a position of authority over those who had once enslaved them.
Joy Shannon, who grew up in Rock Island, IL, was stunned when she first learned about the prison’s history. She had always known about the Union prison camp that housed Confederate soldiers. Still, the revelation that formerly enslaved Black soldiers were tasked with guarding them was a story that demanded to be told. “Films on the Black Union soldiers’ participation in the Civil War are few and far between,” Shannon explains. “When I discovered that my quiet Midwestern town had this kind of history, I was astonished. But when I discovered that these men—many of whom had risked everything to escape slavery—were then placed in charge of their former oppressors, I knew I had to make this into a film.”
Shannon emphasizes that the emotional and mental toll on these young Black men must have been overwhelming. They had endured unimaginable hardships, running for their lives with no certainty of reaching freedom. After finally enlisting to fight for the Union, they found themselves guarding Confederate prisoners who had fought to keep them enslaved. “I can imagine some thought the abuse just wouldn’t stop,” she says. “That’s why I had to tell this story.” Since there are limited records detailing the personal experiences of the Black soldiers at Rock Island, Shannon used extensive research to build a dramatized narrative that reflects the historical realities of the time. Rock Island Prison 1864 is not just a Civil War film—it’s an exploration of power dynamics, resilience, and the struggles of a young Black man trying to find his place in a world that still saw him as inferior.
Shannon also acknowledges the difficulty of bringing stories like this to the screen. “It’s not that Hollywood is actively trying to bury stories from a Black perspective during the Civil War,” she says. “They just ignore most of them, which yields the same results.”
She points out that while the Civil War was undeniably fought over slavery, revisionists have long tried to reframe the conflict as being about economic expansion or states’ rights. “But expansion with what?” she asks. “Slavery! The South profited most from enslaved labor, but the North benefited. And yet, Hollywood primarily focuses on narratives from the perspectives of those who gained from slavery rather than those who suffered under it.”
By bringing Rock Island Prison 1864 to audiences, Shannon hopes to counteract that erasure. “This is an essential piece of American history,” she says. “And it’s time we stop ignoring it.”
While Rock Island Prison 1864 is set almost 160 years ago, its themes remain strikingly relevant. Shannon sees the film as a reflection of the ongoing struggles against systemic oppression and inequality in America today. “At its core, my film is about a powerless, uneducated young Black man who must dig deep into his soul and stand up against a system that doesn’t care about him—a system run by the rich and super-rich,” she explains. “That struggle is still happening today. Economic disparities, racial injustice, and political disenfranchisement continue to shape the Black experience in America.”
Shannon believes Rock Island Prison 1864 goes beyond a Civil War story but is a mirror to modern America. “The idea of a ruling class maintaining control at the expense of the powerless? That’s not just history. That’s America in 2025.” Rock Island Prison 1864 may be referred to as a historical drama— but for America, it is a call to remember the overlooked and a demand to tell the stories that have long been ignored. Through Shannon’s lens, audiences are given a chance to witness the strength of Black soldiers who faced unimaginable challenges, not just on the battlefield but within the very army that claimed to fight for their freedom. As Shannon puts it, “American history has rich events that can be made into incredible stories—which is why none should be banned.”
The Japanese title of this 1990 novel is Tenjo no Ao, which means “heavenly blue.”The American translator, Edward Putzar, opted for No Reason for Murder—which sounds like a hardboiled detective novel. Not that I’m complaining; after all, it’s the English title that initially caught my attention. I doubt that I would have given a second glance at a book called Heavenly Blue. Plus, the author herself did not object (per the translator).
The plot concerns two people. Yukiko Hata is a single, thirty-eight year old seamstress living in a house on the Miura Peninsula of Japan. One day she meets a man named Fujio who seems to be interested in the morning glories that grow in her garden (the book’s Japanese title refers to this type of flower). A relationship, mostly platonic, develops.
But we soon learn that there is something about Fujio that is not right. He is unemployed and lives at home with his parents, his sister and his sister’s husband, none of whom know how he spends most of his free time. A smooth-talking liar and manipulator, Fujio cruises the area for girls, and time after time he manages to lure them into his car. Some of these encounters result in mere flings, but others turn violent. Before long, Fujio develops into a rapist and serial murderer.
And yet all the while one has the sense that Yukiko is not a potential target. In fact she is for Fujio an almost stabilizing influence, but not enough to keep him from pursuing his ghoulish lifestyle. A Christian of the solitary type, Yukiko is an interesting blend of naiveté and profundity.Things that should be obvious she doesn’t see, but at the same time she is exceedingly wise.Moreover, while she is certainly not promiscuous, she is not prudish either. The novel includes a love scene between her and the murderer, the tenderness of which struck me as remarkable. It is strange that such a warm exchange should involve a monster like Fujio. But I think that was the point: the only thing good about Fujio—is Yukiko. And this theme plays out all the way to the end.
I don’t know what the author did in terms of research, but her handling of the serial murderer indicates that she possessed all the instincts and intuitions of an FBI profiler. But she was also an artist. This novel is not just a Japanese variant of The Silence of the Lambs. I would compare it to the work of Walker Percy, with touches of No Country for Old Men.
Potential readers should know beforehand that there are a number of defects throughout No Reason for Murder: missing words, needless words, or sentences that do not make sense. I suspect a translation and/or editing problem. I will not fault the translator too much, however, because his job overall kept Sono’s work (a lengthy work, by the way) sufficiently readable and intact. For that I am grateful.
Yes, one of my favorites I am covering again. Every holiday the decorations change, the theme is spot on and the food is catered specifically for each and every one.
The Sugar Factory was originally in the Fashion Show Mall on the Strip but is now across the street on the corner of LV Blvd and Harmon. Bottom floor is all candy, so much you could feed all of Las Vegas. The fun and festive dining area is upstairs with plenty of tables and a gorgeous view. The menu is loaded with sliders, flat breads, pizza, and many more delectable choices. All my flashy photos will give you a chance to see what is offered.
The Valentines day bowl is fabulous fettuccine, and I tell you, the sliders were some of the tastiest I have ever tried! Decked out this month with hearts and everything pink, we would love to go again this week.
With their lively music playing, it’s the perfect place to book a holiday party! They have elevators for easy accessibility and a great view of the strip. Don’t miss this place—I give it 5 dazzling stars!
We joined the great crowd last night to celebrate the Grand Opening of Havana 1957 at Flamingo Las Vegas. Located in the mall between the Flamingo and the Linq, it is a large restaurant with tons of Cuban Flair.
Cocktails were flowing and we started with Mojitos. The food spread was delectable as we sampled delicious empanadas, both chicken and beef, with lovely, complimentary sauces. The mouthwatering treats kept coming, tantalizing our tastebuds all evening
A band was playing and there was a buffet along with a plethora of passed appetizers. Plenty of staff and all so accommodating.
Cool pictures on the walls, in between old bicycles and reproductions of airplane parts—the decor was fascinating.
Black History Month began with a powerful and dynamic conversation at the Mizell Center featuring the acclaimed actress, author, and activist Jenifer Lewis. Known as the “Mother of Black Hollywood,” Lewis has captivated audiences on Broadway, television, and film for decades. The event, which was both entertaining and deeply insightful, offered a glimpse into her storied career, personal triumphs, and unwavering commitment to advocacy. In addition to Lewis, well-known author and actor Rasheed Newson was also a special guest participant, sharing insights into his career and experiences as a Black storyteller in Hollywood.
The event, presented by the Palm Springs Public Library and the Mizell Center, opened with the dynamic Jenifer Lewis, a force to be reckoned with. Lewis has left an indelible mark on the entertainment industry. She received an NAACP Image Award nomination for her role as Ruby Johnson in the hit television series Black-ish, a show that became a cultural touchstone. Her talents have graced prestigious venues such as Lincoln Center and Carnegie Hall, further cementing her status as a remarkable performer. Recognizing her contributions, Webster University, her alma mater, awarded her an honorary doctorate, and the American Black Film Festival honored her with a Career Achievement Award in 2020.
In July 2022, Lewis received a coveted star on the Hollywood Walk of Fame. Always one to embrace the moment with flair, she famously posed next to her star with her leg pointed skyward, showcasing her exuberant spirit and theatrical presence.
During her conversation at the Mizell Center, Lewis shared reflections on her journey, including the surprises along the way. She recounted how, just 11 days after graduating college, she found herself on Broadway, fulfilling a lifelong dream with unwavering determination and fearlessness. From a young age, she recognized her gift for entertaining, recalling a pivotal childhood moment when she sang in church at the age of five. The congregation’s overwhelming reaction confirmed her destiny in show business.
However, it was her personal battles that shaped her into the advocate she is today. At 33, Lewis was diagnosed with bipolar disorder, a revelation that challenged her perception of herself. After years of resistance, she embraced therapy and treatment, eventually becoming an outspoken advocate for mental health awareness. Appearing on The Oprah Winfrey Show, she openly discussed her struggles, reaching millions with her message of strength and self-care.
Beyond the stage and screen, Lewis has dedicated herself to activism, particularly in the realms of mental health and social justice. She recounted the pain of witnessing how the AIDS epidemic devastated her community, which led her to organize benefit performances for those affected. Her activism extends to voter engagement and racial equality, often using her platform to remind audiences of historical figures like Rosa Parks and the ongoing fight for justice.
Lewis’s journey has taken her around the world, from the streets of Hollywood to the mountains of Petra, where she humorously recalled a moment with a young guide, emphasizing the importance of mutual respect and understanding. Her travels have provided her with profound insights, reinforcing her belief in the power of love, self-care, and perseverance.
One of Lewis’s most striking messages was about the importance of embracing life fully. She urged the audience to prioritize self-care, find joy, and avoid wasting energy trying to change others. “Live while you live,” she emphasized, recounting a moment of deep reflection during the pandemic when she reassessed he life’s purpose.
Her fiery spirit was evident in her closing thoughts. She reminded the audience to fight for justice, to know themselves, and to approach life with courage. “Surround yourself with love,” she advised. “Find it, fight for it, and protect it.”
Jenifer Lewis’s presence at the inaugural event was an amazing experience. Through her humor, candor, and unwavering honesty, she left an unforgettable mark on all who attended, reminding everyone that life is a stage, and we must all play our parts with passion and purpose.
Rasheed Newson, an accomplished author and television writer, also contributed invaluable insights at the event. Newson is known for his work as a showrunner and executive producer for the hit Peacock series Bel-Air, a reimagining of The Fresh Prince of Bel-Air. His extensive career includes writing and producing for acclaimed series such as Narcos, Shooter, and Lie to Me.
In an exclusive interview, Newson discussed Black writers’ challenges in the entertainment industry. “They have a rather limited idea of what kind of Black stories can be told. They understand sports stories, and they understand crime stories. It’s harder to get them to understand that our lives are interesting without those elements,” he explained.
Detailing his journey, Newson shared how he started as an assistant in Hollywood before breaking into television writing. “I was in LA about six or seven years before I got my first job as a television writer. I was an assistant all over town, answering phones, grabbing coffee, and keeping the calendar. My writing partner and I finally wrote something together—a Mad Men spec script—which got us our first job on the Fox show Lie to Me.”
Newson reflected on the importance of incorporating real historical events into storytelling. His Mad Men script involved a baseball game where a radio broadcast mistakenly assigned an error to the wrong player. “We made that same confusion part of the episode, thematically tying it to a workplace mix-up. People loved that it was based on real history,” he said.
Speaking on diversity in media, Newson noted, “So much of what was explored in Mad Men—racial themes, LGBTQ+ themes—are still relevant today. Television allows me to weave in personal experiences in unexpected ways.”
Christian Cooper, a novelist, science and comics writer, and editor, also participated in the event. Cooper is the host and consulting producer of Extraordinary Birder on National Geographic. One of Marvel’s first openly gay writers and editors, he introduced the first gay male character in Star Trek and created Queer Nation: The Online Gay Comic. His book, Better Living Through Birding: Notes from a Black Man in the Natural World was inspired by his experiences as a birdwatcher in Central Park.
Will Dean, a journalist and communications executive, moderated the conversation with Jenifer Lewis. Dean, who has 26 years of experience, co-founded the Desert Outbook Book Club and launched the LGBTQ+ news magazine Desert Outlook. He remains an advocate for diversity in media and is actively involved in nonprofit efforts.
Sheree Devereaux, an anthology co-author, filmmaker, and event coordinator, conversed with Christian Cooper. Her extensive career includes roles as a casting associate, sustainability coordinator, and Broadway talent manager. She currently serves as the Vice President of the Palm Springs Writers Guild.
Darlyne Johnson (née Baugh) also contributed to the discussion, bringing her decades of experience in television and production to her talk with author Trisha R. Thomas.
Denise Jaxon, a screenwriter, playwright, author, and actor, has been recognized for her impactful storytelling, including her Sinclair Ellis book series. Reflecting on the significance of such events, Denise remarked, “This event highlights the importance of Black voices in literature and media.”
Added to the list of prominent attendees was Pamela Tinsley, a realtor and entrepreneur who has been acknowledged for her contributions to the community and her support of youth initiatives. Tinsley commented, “This was an inspiring presentation and an interesting book signing, as it really profiled excellent Black authors and further adding, I do hope the Mizell Center will continue to support and celebrate the contributions of Black authors next year during Black History Month.”
We are all, to some degree and without exception, “in pain”.Pain is inevitable; it is essential. We can run from it, numb it or learn from it. We cannot escape this reality. We learn, or we continue to be broken until we decide to embrace pain’s lessons with humility and compassion. Compassion for ourselves and, yes, compassion for those who hurt and betray us—or seem to betray us.
So, what, in your opinion, is the greatest form of pain? Cheating? Stealing? No—not based on my experience. Personally, I would rather someone cheat on me (which has happened in almost all my tumultuous relationships, including one of my two marriages). Stealing? Pretty bad too. There is, however, nothing compared to a breach of your deepest confidentiality. If someone steals from you, you can always make it up. If they breach your deep confidentiality, they are stealing from and violating your soul in the most severe manner. And that is where I’m going here. There are pains greater than others, therefore greater lessons to be learned. I will, however, point out here that I am not demeaning the trauma victims of cruel physical, mental, psychological, emotional, or spiritual abuse experience. This is merely an opinion based on common relational matters.
A breach of confidentiality turns into slander and gossip is a vicious, malicious, pernicious, and repulsive violation of one’s soul. A violation so deep, there is no coming back from it. What I’m talking about here is when you are in a position where you love so much you open all gates of your soul. You show the good, the bad, and the ugly in the deepest manner, where self-hatred once reigned under the veil of shame. You open that door of pain hoping it will be received as a true, genuine, authentic demonstration of commitment and dedicated love. But not everyone is equipped or prepared to truly receive or share truth, transparency, and brutal honesty. That’s the lesson here.
Betrayal is one thing. Betrayal with the addition of slander and gossip no matter how justifiable it may seem to be by the perpetrator stems from deep-seated insecurities. From a deep pride hell bent on avoiding the reality of one’s own failures.It is ignorance of the truths of life in the emotional, spiritual, and psychological realms. Why? Because all these individuals have ever known is pain. Therefore, they can only offer pain. Betrayal by slander is committed by unawareness, hurting minds and hearts. It helps them forget about their own pain, their own flaws. It gives them the illusion they are not accountable for their own words or actions. Therefore, they will mercilessly point at one’s lifelong injuries, reopen their wounds, and twist a knife back in it so they feel justified in walking away from standing by you. The religious are very good at that. They feel you are too ugly to love, to stand by or defend you when you need it at your most vulnerable points.
Once you deal with the depth of hell in your own soul, facing all your most ugly painful demons, you come to understand people like that. You grow to have compassion for them.You see their wounds. Invisible forces raw with emotions still have control over them. You see their pain, their chains, how it affects them. You understand their blindness, their triggers, their sins. But how do we deal with people in pain who, in most cases, aren’t aware of their own pain? Who, to forget their responsibilities and numb their pain, become—despite themselves—instruments of pain.
Pain by separation is the very first thing, the first trauma we get to experience at birth. We come into this world by a necessary break of the bond from life sustained in the womb. From that moment, unless you were the fortunate benefactor of true comforting love from parents immediately after birth, we only know the trauma. A separation associated as a sort of twisted reference to comforting love. This creates a massive void—a giant monster vacuum in search of anything that will appease that unbearable void, including anything and anyone that will potentially cause us pain. This profound, unwanted, uncomfortable, and painful separation void of connectedness. The “unloved” kickstarts into a lifelong journey to reconnect with something. Anything. This intimate, intricate connection—soul-to-soul—we seek to cultivate with and in search of the right heart. This “soulmate.” This “twin flame.” Some will embrace just about anything or anyone to at least have an illusion of being connected and loved. Sadly, this will be at their own cost and at the cost of others. Like vampires and junkies.
As a result, the unloved do not know life without pain. And so, pain is mainly all the unloved can offer to others and to themselves. Sadly, others do not know life without pain either, so pain is mostly all they can offer as well. I say this in a general way. The perfect storm between imperfect hearts and souls that buy in and embody made-up lies about the self, involuntarily imposed by others from an early age.
In our feeble attempts to connect and love, we hurt. Our hurt hurts others and vice versa. This is, it seems, the one thing we all have in common in the process of learning our way back to love. Contrary to popular trends, I will dare say love is not about the cult of self. Sure, we need to care for ourselves, but some will take that to the extreme. Love is about selflessness. I would say we cannot love ourselves before we learn to selflessly love the unlovable with compassion. And if we see many as unlovable, is it also fair to say we are ourselves quite unlovable to many? No? Pain generates pain and wickedness for the weak and unaware. It takes great strength to see others’ pain for what it is. To see the effect it has on the unlovable.That is where compassion can become stronger, generating peace despite the pain imposed by others. You become detached from the chains of vengeance, bitterness, and resentment, resulting in greater enjoyment of life.
We, therefore, navigate life riding through mutually ancestrally-caused pain, hurt, lies, deception, gossip, slander, hate, love, “pseudo-love,” truths, bonds, and betrayals. We try as best as we can to make sense of it. We will be betrayed to the deepest core, and we will also betray (I’ve been guilty, too). The ego and the pride in us are hurt, so it blindly blames others. It wants to get even. It wants to justify why we don’t deserve what was done to us.
We all turn into narcissists to varying degrees, and we play victims. And how we all love to play victims, don’t we? It seemingly takes all responsibility away from the choices we made in the first place. How convenient. We unknowingly lie to ourselves and others because we bought lies that looked like truths about us. Therefore, we betray ourselves. If we betray ourselves, then by default, we betray others. The result is the concealment of our true and unknown, unaware identity. It is a sick coping and protection mechanism that gives the illusion of safety. It throws us deep into the dark chambers of solitary emotional confinement. That’s where evil wants us. Our hearts grow colder and colder, unforgiving and without compassion for ourselves and others. Some jump from person to person in short-term serial relationships as a temporary band-aid. Fifty percent plus of marriages fail, don’t they? Because our hearts grow cold. Some do drugs, others alcohol or whatnot. We numb. Some believe their own lies, and that becomes extremely dangerous, leading them close to a path to hell.
“If you practice violating your own conscience with a performative contradiction—a willingness to act out what runs contrary to your own sense of morality—then you become the embodiment of a lie. There is endless metaphorical speculation of the spirit of the lie, and if you allow it to take up residence with you, then you do that at your peril. The danger of being an actor is that you become the actor, and then you lose you. You replace you with that falsehood, and that will make you bitter, which only leads to becoming revengeful—and worse. Therefore, you do not want to practice that.” ~Dr. Jordan Peterson
We get triggered, and we trigger others. Depending on our perception of reality and our ability or inability to communicate in the context of expectations, we judge, we label others as “narcissist,” “liar,” “manipulator,” or whichever label can be slapped to alleviate the pain of our ego and our pride and, most importantly, our refusal to take responsibility for our own actions, our own thwarted sense of reality. We ignore our role in choosing as we did. We react and justify instead of responding with mature thoughtfulness. We give up. We break up. We walk away. We get exhausted mentally, emotionally, psychologically, and spiritually. Then frustration and anger take over, triggering words and actions we know we will regret. And so we get angry and prideful and vengeful and bitter and resentful and egotistical because others, we feel, have betrayed us. It’s a vicious, insidious cycle within.
That is until we start tasting the beauty of Truth within by understanding the above-described dynamics, how it affects us, and others. We become deeply aware, slowly empowered by the freedom these truths reveal to us about the lies of pain and living in pain. We become more understanding and compassionate with ourselves and with others. We start seeing their pain for what it is. We start seeing that their actions and reactions do not define who they really are deep down. And when we start to understand our own pains and triggers, we become more compassionate with ourselves. And slowly, the stronghold of shame and guilt and coping systems lose their luster, revealed for what they truly are: poison to our souls, decapitating us from our full potential in life. Anxiety, depression, and the rest we like to medicate no longer need meds. That is, if we have the courage to face those demons head-on. Only once we taste Truth can we start being in a position to offer our true self, genuine love, and compassion. Pain and betrayal’s paradigms change to be seen as lessons for growth and personal responsibility.
So, when you ask me why I ride, well, it helps me make sense of all the above. When I ride, I reflect, I meditate, I pray, I laugh, I cry, I scream, I talk out loud. It helps me digest life’s betrayals, gossip, and slander, yes, but more importantly, it helps me to grow in compassion and understanding towards those who still hurt deeply. It helps me look at my own pain and the lies it tempts me to believe. In two different conversations, Jesus was asked about divorce and forgiveness. On divorce, He said God provided this option “because of the hardness of our hearts.” Then He was asked how many times we should forgive our brother who sins against us, and He said, “seventy-seven times.” Easier said than done, but once you can understand someone’s scars, it becomes easier to love them regardless.
Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres. ~1 Corinthians 13:4-7
Former featherweight amateur boxing champion and professional boxer Alan Santana has proven his fighting spirit extends beyond the ring. Recently, he organized a heartfelt fundraiser to support former WBC World Champion Israel Vasquez. He had recently been diagnosed with cancer and needed some financial assistance to help cover his medical expenses. Boxing historian Chris Smith reached out to Santana in October and asked if he would hold his annual bowling fundraiser to help raise money for Israel’s medical expenses. The event was held at Fountain Bowl, a popular bowling alley in Southern California; it was a unique gathering of comrades who were delighted to support a colleague who had once been a world champion and inspired all of them.
Alan Santana’s 2nd annual fundraiser drew an impressive crowd, including numerous former boxers who came together to support one of their own. Among the esteemed attendees were former WBC champion Arturo Frias, WBC champion Danny “Little Red” Lopez, and California State champion Greg Puente. Tina Puente delivered a stirring rendition of the national anthem, while Brenda Zaragoza of ESO Apparel supported the event. Renowned promoter Roy Englebrecht generously donated ringside tickets for his show at The Hangar. Notable figures in attendance included author Chris Smith and artist/boxing trainer Steve Harpst. Also among the attendees were the Weaver Triplet Twins, a well-known presence in the boxing world, whose appearance added to the evening’s excitement. The event was filled with laughter, shared memories, and a renewed sense of unity as these athletes, who once battled fiercely in the ring, demonstrated the strength of their bonds outside the boxing ring.
Special recognition goes to Lauren Hammond, who graciously contributed an array of valuable collectibles, including memorabilia from legendary athletes such as Kobe Bryant and Muhammad Ali. A heartfelt thank you to Boxing Promoter Roy Englebrecht, Bay City Paving, and Danny Little Red Lopez for their generous support in making this event a success. Ricardo Castineyra and his brothers graciously donated Israel Vasquez custom t-shirts for the event and raised a substantial amount of money for Israel’s wife and children. Israel lost his battle with cancer this past December.
Santana, known for his relentless drive and dedication during his boxing career, has continuously shown that his passion for the sport extends far beyond personal accolades. His commitment to helping former fighters in need reflects his character and deep respect for the boxing fraternity. By organizing this fundraiser, he provided much-needed financial relief and reinforced the message that no boxer should have to struggle alone.
Events like these highlight the importance of community and support in professional sports. Alan Santana’s efforts serve as an inspiring reminder that true champions never stop fighting—not just for themselves but for those around them. His work ensures that the spirit of boxing lives on, not only through competition but also through compassion and solidarity for one another and the sport of boxing.
For additional information about how you can support Alan Santana’s charities, go to alansantana.com
An Introspective Ode to the Golden Age of True Bikers
By Florida Night Train®
1-24-25
The Movie “The Bikeriders” directed by Jeff Nichols offers a visceral journey into the tumultuous yet alluring world of mid-20th-century motorcycle clubs, capturing an era romanticized by freedom and anarchy, with echoing reminders of loyalty and moral complexity. Viewing this film as both an enthusiast of motorcycle culture and a keen observer of human behavior, as showcased by a lot of my published work I would like to offer layers of perspectives woven intricately into the cinematic tapestry. I would be remiss if I did not point out my influence from Dr. Jordan Peterson’s writing.
The Golden Age of Biking: A Cultural Retrospective
“The Bikeriders” is a love letter to a bygone era, when bikers were both rebels and icons. The movie elegantly captures the spirit of the times, when individuals formed tribes of their own, seeking freedom on two wheels, away from societal constraints. This was a time when the roar of the engine was a herald of liberty, and every open road offered a canvas for adventure.
The film authentically portrays the camaraderie and code of honor that were the pillars of biker culture. Here, loyalty is not just valued; it is the currency of trust that binds the club together. The characters are sketched with a fidelity to this ethos, creating an almost documentary-like feel to their interactions. Yet, beneath this vibrant veneer, lies a narrative replete with moral struggles and choices that aren’t as black and white as they might seem.
Moral Struggles and Choices
Dr. Jordan Peterson’s psychological analysis offers profound insights into these moral ambiguities. My guess is he would likely position it as that “The Bikeriders” thoughtfully examines the archetypal struggle between chaos and order—the freedom of the road versus the constraints of societal norms. The bikers, much like in the philosophies of Nietzsche’s Übermensch, often stand in defiance of conventional morality, crafting their own codes as they navigate through life’s challenges.
The film delves into these struggles, offering no easy answers but rather posing questions about loyalty and betrayal, right and wrong. Each choice made by the characters is laden with consequences, reflecting the darker sides of human nature that lurk in the depths of consciousness. The movie doesn’t shy away from exploring the allure of crime and the temptation of power, juxtaposed with the innate human yearning for belonging and acceptance.
The Cast: Breathing Life into Archetypes
Nichols’ choice of cast is nothing short of inspired, bringing authenticity to every role. The actors embody their characters with a very raw intensity that makes the narrative believable. Trust me!Their performances are so compelling that one feels the vibrations of the engines, the wind on their faces, and the weight of their choices. They encapsulate the paradox of being both free and bound—to the road, to each other, and to the consequences of their actions.
Photography and Cinematic Expression
The film’s photography deserves particular compliments. Cinematographer Adam Stone crafts visuals that transport viewers to the 20th-century expansive American landscapes that bikers call their playground. Each frame is meticulously composed, capturing the interplay of light and shadow that mirrors the internal and external conflicts faced by the characters.
The rolling plains, desolate highways, and gritty urban streets are more than mere backdrops; they are integral to the storytelling, embodying the timeless romance of the open road. Here, the motorcycle is not just a machine, but an extension of self—a symbol of untamed spirit and potential peril.
Social Structures and the Law
“The Bikeriders” offers a gritty exploration of the dicey relationship between bikers and societal structures. Clubs depicted in the film exist on the fringes of legality, their very existence a protest against—and sometimes a challenge to—the established order. This tension is a central theme, providing a nuanced perspective on law, crime, and justice.
Dr. Jordan Peterson’s insights into human behavior would likely point a few things here, reflecting on how these communities serve as microcosms of society, with their own hierarchies and moral codes. These clubs, while often portrayed as outlaws, embody a structure that fulfills the innate human need for order amid chaos—a theme that Peterson argues is central to our understanding of civilization. I find it ironic however that individuals will belong to motorcycle clubs as a rebellion to social structures and rules, yet these very clubs are made of intricate societal structures and order which is the fabric of a sentiment of belonging. They rebel against law and order but don’t you dare pass a patched club member on the highway or elsewhere. You will quickly find out societal rules don’t apply to them but you better understand their protocols. I experienced this first hand and I will spare you the details.
Conclusion: A Compelling Reflection of Human Nature
“The Bikeriders” is an homage to a complex and often misunderstood subculture illustrating the paradoxes of freedom and responsibility. The film doesn’t just recount the tales of bikers, but explores the eternal human struggle for meaning, identity, and belonging.
For motorcycle enthusiasts, lovers of the open road, and seekers of psychological depth, “The Bikeriders” resonates on multiple levels. It is a celebration of what it means to live on the edge, make hard choices, and find one’s place in an ever-changing world. This film is not just about the ride, but the riders—a tribute to their unyielding spirit and the indelible mark they leave on the roads less traveled.
spread was delectable as we sampled delicious empanadas, both chicken and beef, with lovely, complimentary sauces. The mouthwatering treats kept coming, tantalizing our tastebuds all evening
